Atlas, an History/Archive without words

Alfred Hitchcock - Rope Full Movie

2012-01-30T05:18:00.000Z

1984 by George Orwell / Nineteen Eighty-Four / Film Movie

2012-01-30T05:17:00.000Z

George Orwell 1984

2012-01-30T05:15:00.000Z

The Ultimate Revolution | by Aldous Huxley

2012-01-30T05:14:00.000Z

Aldous Huxley interview-1958 (FULL)

2012-01-30T05:11:00.000Z

Don Quijote de Orson Welles (1955-1992) (Orson Welles y Jesús Franco)

2012-01-26T03:47:00.000Z

Macbeth (1948) - Orson Welles

2012-01-26T03:46:00.000Z

to vlemma tou odyssea (ulysses' gaze)

2012-01-26T03:44:00.000Z

Bruce Baillie - Castro Street

2012-01-25T02:28:00.001Z

Castro Street, (Bruce Baillie), por zohilof

Victor Jorge, "Nr2", sound piece

2012-01-19T03:49:00.002Z

Victor Jorge, "Nr 35",Sound piece ordered by Ar.co_2008

2012-01-19T03:49:00.001Z

Victor Jorge, "Glass Box" , Ar.co 2005

2012-01-19T03:49:00.000Z

Landscape, super8 found footage, restaurado, 1979

2012-01-19T03:47:00.001Z

diários, notas, fragmentos e coisas que não querem dizer nada

2012-01-19T03:47:00.000Z

A Vida de Juanita Castro (video integral da peça de teatro)

2012-01-19T03:46:00.000Z

A Vida de Juanita Castro (Excerto)

2012-01-19T03:45:00.001Z

Poema

2012-01-19T03:45:00.000Z

"microfilms à la plage" de Victor Jorge e Inês Jacques

2012-01-19T03:43:00.002Z

Filme super8 pornográfico apagado e pintado à mão, 1978

2012-01-19T03:43:00.001Z

eh joe, peça de teatro para televisão, Samuel Beckett.

2012-01-19T03:43:00.000Z

Video documento Fundação Paula Rego/Casa das Histórias

2012-01-19T03:42:00.000Z

a persistência do som num filme sem imagens

2012-01-18T01:11:00.001Z

diários, notas fragmentos e coisas que nao querem dizer nada "a persistência do som num filme sem imagens"
Nota:Diários,notas, fragmentos e coisas que não querem dizer nada é um projecto (video e som) em telemóvel e m-audio montado directamente no modo de filmagem ou em mesa de edição. Os objectos e situações filmadas e montadas não são motivados por qualquer interesse a priori, acontecem por necessidade, por encontro.
Os regimes da memória e os seus restos são certamente uma força contaminadora deste projecto.

cinema et histoire

2012-01-04T04:28:00.001Z

Cours de cinéma : “Cinéma et histoire” de Marc... por forumdesimages

cinema

2012-01-04T04:26:00.001Z

Cours de cinéma : R. W. Fassbinder, “Imitation... por forumdesimages

cinema

2012-01-04T04:25:00.001Z

Cours de cinéma : Jean-Luc Godard, “Montage, mon... por forumdesimages

cinema

2012-01-04T04:23:00.000Z

Cours de cinéma "La Furie du désir" de Vidor par... por forumdesimages

cinema

2012-01-04T04:14:00.001Z

La Master class de Mike Leigh (VO) por forumdesimages

cinema

2012-01-04T04:12:00.002Z

Cours de cinéma : "La figure du serial killer"... por forumdesimages

cinema

2012-01-04T04:12:00.001Z

Cours de cinéma : Michel Ciment, “Kubrick” par P... por forumdesimages

cinema

2012-01-04T04:10:00.002Z

Cours de cinéma : "Les chroniques de Jean-Louis... por forumdesimages

cinema

2012-01-04T04:10:00.001Z

Cours de cinéma : S.M Eisenstein, le “montage... por forumdesimages

2012-01-04T04:04:00.001Z

Cours de cinéma : Gilles Deleuze, "crise de... por forumdesimages

2046-Wong Kar Wai, Film.

2011-11-21T03:51:00.000Z

Madame Tutli-Putli. Stop motion animation

2011-11-19T23:55:00.000Z

Buñuel L'AGE D'OR 1930, Erothic escene

2011-11-02T19:07:00.000Z

Filmmakers in Conversation: Jay Rosenblatt in Retrospect

2011-10-29T05:37:00.000+01:00

Phantom Limb (Jay Rosenblatt, 2005) - 8: Advice

2011-10-29T05:35:00.000+01:00

Video News,Nigel Farage touches quite a few nerves in the EU Parliament

2011-10-26T03:31:00.000+01:00

Video News,'Who the Hell You Think You Are?' Nigel Farage throws egg in Eurocrat faces

2011-10-26T03:20:00.000+01:00

Video interviewEU must die: Farage on Euro plunge, Wilders ban and slagging the president

2011-10-26T03:17:00.000+01:00

Video, News-Nigel Farage: Euro Empire Collapsing, Bailout River Dry

2011-10-26T03:15:00.000+01:00

While Darwin Sleeps by Paul Bush (2004)

2011-10-25T14:54:00.000+01:00

Sebastien Tellier - Look - Music Video

2011-10-24T02:14:00.000+01:00

Reci Reci Reci Michaela Pavlatova 1991

2011-10-24T00:47:00.000+01:00

Animation-Jojo in the Stars

2011-10-21T00:28:00.000+01:00

WE LIVE OF LOVE - A research by Silvano Agosti - ITA , SBT. ENG.

2011-10-19T13:49:00.000+01:00

Giorgio Agamben. The State of Exception. Der Ausnahmezustand. 2003 1/7

2011-10-18T02:59:00.000+01:00

Michael Hardt. About Love. 2007 6/6

2011-10-18T02:53:00.001+01:00

Michael Hardt. About Love. 2007 5/6

2011-10-18T02:53:00.000+01:00

Michael Hardt. About Love. 2007 4/6

2011-10-18T02:51:00.001+01:00

Michael Hardt. About Love. 2007 3/6

2011-10-18T02:51:00.000+01:00

Michael Hardt. About Love. 2007 2/6

2011-10-18T02:50:00.000+01:00

Michael Hardt. About Love. 2007 2/6

2011-10-18T02:16:00.000+01:00

Michael Hardt. About Love. 2007 1/6

2011-10-18T02:09:00.000+01:00

Translating Francis Ponge at Shakespeare and Company Bookshop

2011-10-18T01:54:00.000+01:00

Univesp | Clarice Lispector | Parte 1ª

2011-10-09T01:46:00.000+01:00

video-Entrevista com Clarice Lispector -TV Cultura-1977 Parte 2

2011-10-09T01:41:00.000+01:00

... eu só escrevo quando eu quero, eu sou uma amadora e faço questão de continuar a ser amadora. Profissional é aquele que tem uma obrigação consigo mesmo de escrever, ou então em relação ao outro. Agora, eu faço questão de não ser profissional, para manter minha liberdade."

video-Entrevista com Clarice Lispector - TV Cultura -1977- Parte 3

2011-10-09T01:39:00.000+01:00

"Escrever é procurar entender,
é procurar reproduzir o irreproduzível,
é sentir até o último fim o sentimento que permaneceria apenas vago e sufocador. Escrever é também abençoar uma vida que não foi abençoada."

Pedro Costa,N2e Change Rien" (2005) [SHORT] 1/2

2011-10-01T21:01:00.000+01:00

O Convento (1995) #1 directed by Manoel de Oliveira

2011-09-30T01:12:00.001+01:00

"Le couvent" 25/05/1995

2011-09-30T01:11:00.000+01:00

Joao Cesar Monteiro - A Comedia de Deus [1995]

2011-09-30T01:02:00.000+01:00

A Comédia de Deus

2011-09-30T00:59:00.000+01:00

A Comédia de Deus, 1995, by João César Monteiro

2011-09-30T00:53:00.000+01:00

Recordações da Casa Amarela (1989) #Final

2011-09-30T00:52:00.000+01:00

Conserva Acabada - João César Monteiro

2011-09-30T00:16:00.000+01:00

Kiarostami,The Wedding Suit

2011-09-29T19:03:00.000+01:00

Dois anos após MOSSAFER (The Traveler), Kiarostami, entre curtas-metragens de vertente mais didáctica volta a ensaiar nos terrenos da ficção os contínuos dilemas do início da adolescência. LEBASI BARAY-E ARUSI (The Wedding Suit), que não chega aos sessenta minutos, narra, com extrema crueza, a «luta» do seu jovem protagonista, que trabalha com um alfaiate, entre o universo emocional e profissional. Por um lado, para não perder a amizade do seu amigo tem de emprestar-lhe, sem o patrão saber, um fato novo que um jovem cliente de classe alta encomendou. Por outro lado, há que deixar o dito fato impecável para o momento em que o cliente o irá buscar sem que ninguém saiba de nada.

What do Western movies have most? Sense of justice-Ethan Encounters Debbie After Years of Searching

2011-09-29T14:21:00.000+01:00

A Letter to Uncle Boonmee 1/2

2011-09-29T01:44:00.000+01:00

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

Tropical Malady de Apichatpong Weerasethakul, 2004 Tailandia

2011-09-28T01:48:00.000+01:00

"Meduse" (2007)

2011-09-27T23:10:00.001+01:00

Poesia dal film "Meduse" (2007) di Shira Geffen e Etgar Keret

What about me? by Etgar Keret & Shira Geffen

2011-09-27T23:06:00.000+01:00

A Boy, A Wall and A Donkey by Hany Abu-Assad

2011-09-27T23:01:00.000+01:00

Marina Abramović at The Whitworth Art Gallery

2011-09-27T22:28:00.000+01:00

Marina Abramović - How we in the Balkans kill rats

2011-09-27T22:26:00.000+01:00

From "The Star" movie (1999). This video was a piece of "Balkan Baroque" installation in the Venice Biennale 1997, that was Marina Abramović awared the Gold Lion Award.

"I´ d like to tell you a story of how we in the Balkans kill rats.
We have a method of transforming the rat into a wolf; we make a wolf rat.
But before I explain this method I´ d like to tell you something about rats themselves.
First of all, rats consume large quantities of food, sometimes double the weight of their own bodies.
Their front teeth never stop growing and they have to be ground constantly otherwise they risk suffocation.

Rats take good care of their families.
They will never kill or eat the members of their own family.
They are extremely intelligent.
Einstein once said: "If the rat were 20 kilos heavier it would definitely be the ruler of the world".
If you put a plate of food and poison in front of a hole the rat will sense it and not eat.

To catch the rats you have to fill all their holes with water, leaving only one open. In this way you can catch 35 to 45 rats.
You have to make sure that you choose only the males.
You put them in a cage and give them only water to drink.
After a while they start to get hungry, their front teeth start growing and even though, normally, they would not kill members of their own tribe, since they risk suffocation they are forced to kill the weak one in the cage.
And then another weak one, another weak one, and another weak one.
They go on until only the strongest and most superior rat of them all is left in the cage.
Now the rat catcher continues to give the rat water.
At this point timing is extremely important.
The rat´ s teeth are growing. When the rat catcher sees that there is only half an hour left before the rat will suffocate he opens the cage, takes a knife, removes the rat´ s eyes and lets it go.
Now the rat is nervous, outraged and in a panic. He faces his own death and runs into the rat hole and kills every rat that comes his way. Until he comes across the rat who is stronger and superior to him.
This rat kills him.

This is how we make the wolf rat in the Balkans."

Marina Abramović - Freeing the memory

2011-09-27T22:16:00.000+01:00

In this 1976 performance, Abramović reels off all the words she can possibly remember. Seated on a chair with her head tilted backwards, Abramović speaks Serbo-Croatian, now and then throwing in an English or Dutch word. By reciting all the words stored in her memory, she tries to free herself from the acquired language. After an hour and a half, she seems to have succeeded. The well of words has dried up and the performance is over.

Marina Abramović: The Artist Is Present / Institute For Long Duration Pe...

2011-09-27T21:59:00.000+01:00

Marina Abramović interview at the Lisson Gallery

2011-09-27T21:55:00.000+01:00

Expanding in Space - Marina Abramovic - 1977

2011-09-27T21:52:00.000+01:00

Ulay & Abramović "Imponderabilia" [1977]

2011-09-27T21:50:00.000+01:00

Ulay & Abramović "AAA AAA" [1978]

2011-09-27T21:48:00.000+01:00

Marina Abramović (Belgrado, Yugoslavia; 30 de noviembre de 1946), artista serbia de performance que empezó su carrera a comienzos de los años 70. Activa por más de tres decádas, recientemente ha sido descrita por sí misma como la "Abuela del arte de la performance".
El trabajo de Abramović explora la relación entre el artista y la audiencia, los límites del cuerpo, y las posibilidades de la mente.

Dangerous Games by Marina Abramovic

2011-09-27T21:43:00.000+01:00

Diary 1973-1983 - David Perlov (1983)

2011-09-25T13:41:00.000+01:00

David Perlov "Diary" film-1973-1977(1)/ 1978-1980(2)/ 1981-1982(3)/ 1982-1983(4)/ 1983(5)/ 1983(6)

Victor Jorge-"eh joe" excerto peça teatro para televisão.mp4

2011-09-21T19:19:00.000+01:00

Excerto da peça de teatro para televisão "eh joe" de Samuel Beckett.
Realização Victor Jorge
Actores: Nuno Bernardo e Ana Gago
Realizado durante o 2ºano do curso de cinema, video e som de autor no ar.co.

POWERTRIO Recorded Live&Victor Jorge

2011-09-21T19:08:00.000+01:00

POWERTRIO Recorded Live at 'What We Think When We Walk And What We Walk While Thinking' (Creative Sources Rec. CS147 CD) presentation at Institut Franco-Portugais, Lisboa, PORTUGAL 4.III.2009

Excerpt from video piece composed by Victor Jorge to Fundação Paula Rego.mov

2011-09-21T18:59:00.003+01:00

Film author Victor Jorge
Fotography Victor Jorge
Sound composition Victor Jorge and The Boy Who Wanted To Go To Heaven
Camera Victor Jorge and Pollyana
Support Ar.Co School of Arts, Lisbon, Marcelo Costa
Thanks: Marcelo Costa, Pollyana, Museu Casa Das Histórias Paula Rego, Sara Barriga, Adriana Pardal, Ar.co e Sílvia Sepúlveda.

Dance piece, LIARS by Inês Jacques, Video Victor Jorge, Music "o maquinista"

2011-09-20T04:56:00.000+01:00

Video presentation-Victor Jorge

Les Ciné-débats de La Sorbonne,Vincent Lindon et son agent Claire Blondel

2011-09-13T19:55:00.003+01:00

Caméras subjectives : Vincent Lindon et Claire... por forumdesimages

Les Ciné-débats de La Sorbonne - Rencontre avec...

2011-09-13T19:49:00.000+01:00

Les Ciné-débats de La Sorbonne - Rencontre avec... por forumdesimages

Cours de cinéma : "Senso" de Luchino Visconti por forumdesimages

2011-09-13T19:46:00.001+01:00

Cours de cinéma : "Senso" de Luchino Visconti por forumdesimages

Sacrifice - Award Winning Short Film

2011-09-12T04:48:00.000+01:00

Sacrifice is my award winning short film that I directed in 2008. A security guard makes a life changing decision that will give a young man another chance to redeem himself after a burglary with his younger brother goes horribly wrong.

Winner of the 2009 Limelight Best Drama and Best Film awards

Directed by Steve Looker
Written by Gary Looker
Music by Philip Curran
Produced by Binary Films/Reel Vision Films

One Weekend A Month Sundance Film Festival

2011-09-12T04:39:00.000+01:00

Meg's Monday morning routine is turned upside down when the phone rings.

Sundance 2005, Grand Jury Award - Honorable Mention in Short Filmmaking
Ashland Independent Film Festival 2006 - Best Short Film

Sundance Film Festival 2011 The High Level Bridge

2011-09-12T04:24:00.000+01:00

Sundance Film Festival 2011 "Pandemic 41.410806, -75.654259"

2011-09-12T04:12:00.000+01:00

Bree and her little brother, Tyler, know that their parents awaken only at sundown and are capable of strange and dangerous nocturnal behavior, but Tyler is unwilling to leave them.

Programmer's Note: Screening at this year's Festival in front of the feature "Sound of My Voice ," Lance Weiler's "Pandemic 41.410806, -75.654259" is part of a larger storytelling experience involving film, mobile, online, social gaming, print, and real world interactions. Concerning two children hiding out in a basement after a virus has turned their mother into something abominable, "Pandemic" marks the first in a series of shorts that will be shot around the world later this year. The short takes place in the same universe as Weiler's feature script "HiM," which recently went through the Sundance Institute Screenwriters Lab. Adventurous Park City visitors can also participate in the New Frontier Installation "Pandemic 1.0," Weiler's initial public release of this immersive story-world. Learn more about the artists' exciting work in transmedia at http://www.lanceweiler.com

Robert Redford on Sundance, 2008

2011-09-12T04:00:00.000+01:00

Excerpt from Faces by John Cassavetes (1968)

2011-09-11T19:26:00.000+01:00

Faces [CASSAVETES] - Night club

2011-09-11T19:25:00.000+01:00

100 Faces Of John Cassavetes - A Tribute

2011-09-11T19:23:00.000+01:00

This is something I wanted to do since I finished The Academy, and finally found the time; to make something that shows how much the films of John Cassavetes have influenced me... For me he is one of the greatest film directors that ever worked.

The concept was to take shots from almost all of his films (every one that he made independently except "Gloria"), and put them together in a completely new way. To take his films apart and put them together and try to show the intensity, energy, honesty that his films have in a much shorter form. (the only film that isn't his that I used is Elaine May's "Mikey and Nicky" as a representative of his acting career).

Victor Jorge-Video fragment based on Samuel Becket´s "Eh Joe" play for TV

2011-09-11T18:38:00.003+01:00

Video fragment based on the play for TV, "Eh Joe" from Samuel Becket directed in 2005 at Ar.Co School of Visual Arts. Second year studio work.
Directing Victor Jorge
Joe Nuno Bernardo
Voice Ana Gago

Sound fragment-From Duchamp´s "The LArge Glass" Victor Jorge, "Glass Box" , Ar.co 2005

2011-09-11T18:30:00.001+01:00

Sound piece based on Duchamps "The Large Glass" Ar.Co 2005
Artist composer-Victor Jorge